| by Giorgio 
		Busetto 
 
			
				| (click on photos to enlarge image)
					 ITALIAN SILVER HAIR-PIN: THE 'SPERADA'
					
						| Women put particular care into the style in 
						which their hair is cut and arranged. The hairpin is a 
						common adornment used to hold the hair together, especially 
						at nape of the neck. 
 In the Brianza (an area on the Northern Italy region of 
						Lombardy) the use of this device has ancient origins and 
						finds its roots in the numerous pins (spilloni) of the 
						Bronze Age found in peat deposits and in the 'HASTA 
						CAELIBARIS' or 'aghi crinali' (a thin needle enlarged at 
						the top) found in many Ancient Roman graves.
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					The 'sperada' ceased to be used at the beginning of the 
				20th century and now it survives only to be worn in appropriate 
				folkloric ceremonies.
						| A 
						characteristic hair arrangement of Brianza women was the
						'sperada', used also by Lucia Mondella, the 
						feminine protagonist of the romance
						
						'I Promessi sposi' (The Betrothed), 
						masterpiece of the Italian writer Alessandro Manzoni, 
						published in 1827. This is Lucia's description on Chapter II:
 'Lucia had just come forth adorned from head to foot 
						by the hands of her mother. Her friends were stealing 
						glances at the bride, and forcing her to show herself; 
						while she, with the somewhat warlike modesty of a rustic, 
						was endeavouring to escape, using her arms as a shield 
						for her face, and holding her head downwards, her black 
						pencilled eyebrows seeming to frown, while her lips were 
						smiling. Her dark and luxuriant hair, divided on her 
						forehead with a white and narrow parting, was united 
						behind in many - circled plaitings, pierced with long 
						silver pins, disposed around, so as to look like an 
						aureola, or saintly glory, a fashion still in use among 
						the Milanese peasant - girls.'
 
 |  |  The 'sperada' is a silver ornamentation made by several pins 
				forming a sunburst, threaded on the hairs wrapped on a 
				horizontal olive-topped pin.
 The 'sperada' was made of:
 - a pin with two olives at its end, named 'spùntun' or 'gùggiun';
 - many pointed pins, named 'spadinn', given by the fiancé to 
				his betrothed (before betrothal the girls wore hair loose);
 - some other pins, sometimes in the shape of a spoon, named 'fuseii' 
				or 'spazzaùrecc', were the gift of the bridegroom on the 
				marriage day and on other special occasions as the birth of a child.
 
					
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								 a rich 'sperada' composed by one 'spùntun' 
								or 'gùggiun', 23 'spadinn' and 6 'fuseii' or 'spazzaùrecc' |  
					
						| 
  | There are few 
						(or no) pieces of antique silver 'sperada' available for 
						sale. The surviving pieces are a precious heritage 
						preserved with close attention by families, folkloric 
						groups and public institutions. This is a 19th century silver 'spadinn' made in the 
						Regno Lombardo Veneto (presumably Milan). It is 
						hallmarked with the incudine (anvil) mark used 
						for 800/1000 silver in the period 1810/1872 and a clear 
						silversmith mark (not identified).
 The 'spadinn' is 6 3/4 in. wide (cm. 17) and, 
						surprisingly, was found and bought through a UK dealer.
 
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