| by Willand 
		Ringborg 
 
			
				| 
					 click on images to enlarge
					 RUSSIAN FAKESAt first sight, the calling card case 
				illustrated in 
				
				January Members' Window is 
				stamped correctly according to Russian hallmarking and assaying 
				regulations, it is nothing curious with the later Soviet time 
				stamp, it is fairly common as it was sometimes necessary to 
				re-stamp before resale or to present to a pawn-shop. 
 Annoying, and which is arising some doubts, the motive does not 
				seem to be of Russian style or tradition, rather, as mentioned, 
				China and Far East.
 
 ..
..But, the hallmark by the assayer shown in the photo, the 
				double-headed eagle was used in assaying as coat-of arms for St 
				Petersburg up to 1751 and then replaced by the well-known 
				crossed anchors and scepter
 
 ....and the oval assay stamp shown in the photo was introduced 
				1882 and used to 1889, so maybe we here we have an anomaly?
..
 
 .
...but, is it a double-headed eagle? It seems as it has only 
				one head and that is the coat-of-arms of Poland and Warsaw! And 
				Warsaw was under the imperial Russian assaying regime from
				1860s to the 90s, consistent to the 
				assay mark regime from 1882 and stamped fineness 84?.....
 
 ....but, is it not something wrong with the eagle, it looks 
				more like a butterfly or a dragon, and it seems to have one and 
				a half head? Where have we seen such an eagle?
 
This is an eagle zoomed up from a much lesser stamp, namely 
				the additional stamp of a supplier to the Russian imperial 
				court. These stamps contain the Romanoff family coat-of-arms, - 
				the double eagle - they are small, vary from supplier to 
				supplier, they are less distinctive and precise, and sometimes 
				look as butterflies. A forger has been in action. How can we be sure of that? By the 
				4 in the fineness stamp 84 on the left half of the stamp. The 
				assaying double stamp from 1882 was distinctly divided in two 
				halves and each sign in each half fully included in that part.
 In this stamp parts of the digit 4 violate this and are 
				exceeding the center line. The stamp is a forgery.
					°°°°°°°°°°°°°° 
.But, maybe the silver of fineness 84 zolotniki exactly 
				corresponds to the fineness of 875/000 in the later stamp? If so, this is maybe an antique Russian object? The Soviet sharp 
				stamp of a star with hammer and sickle is there, the letter K 
				for Kiev and 875 for fineness in an oval, double cut, this is 
				exactly what should be there according to the assay rules after 
				1958. Yes, 
..
 
 .but, isnt it something wrong with the 8? It looks like a S. 
				
.and, why is 875 not in line, why is 7 a little higher up?..... 
				and why are all the digits hooked to the frame by a minor 
				connecting strip?.... and why is the letter K connected to the 
				star? The letter should be hanging free. 
.and why is the star 
				connected to the oval frame?... and why is the star open in the 
				direction south-west?... and why is the outer frame open in the 
				same direction? These observations are not in line with how it 
				should look like.
 The forger has probably used a sheet of iron, used fine scissors 
				as when cutting a piece of paper as when doing a silhouette and 
				finally made the cut of the outer frame of the double cut oval, 
				welded the pattern to a stronger piece of iron, and,
.stamped. 
				The reconstruction of this kind of craftsmanship is of course 
				speculative, but nevertheless, this stamp, on the same calling 
				card case, is also a forgery.
 
 The crook that made the stamps has made a common mistake; he was 
				misreading Russian assay regulations and did put too much effort 
				in producing these stamps compared to the effort to decode the 
				falsification.
					°°°°°°°°°°°°°° In the same Members' Window Giorgio 
				Busetto shows a different
				fake on another piece, where the forger, unfamiliar with the 
				Cyrillic alphabet, turn it in front and behind. The stamp from a 
				court supplier he was intending to copy was probably not 
				Kurliokov, but Chlebnikov, but mixing it all up. Nevertheless 
				the cross over the girl with the kokoshnik, the identity mark, 
				is a sign of that the piece was to be taken abroad and then, to 
				be re-stamped, if brought back to Russia. This stamp is 
				extremely seldom seen, why pay a stamp fee if you are moving 
				abroad or selling something to a foreigner? The photo does not 
				allow a thorough examination of the stamp, but in the context, 
				the authenticity of the hallmarking is to be doubted.
					
					 (In the mark above the Cyrillic characters are wrong. 
					They look right in the mirrored image below )The calling card case first shown, 
				regardless of silver content, is extremely valuable as an 
				example of faked stamps and how they are used in combination to 
				offer a story that the evidence for proof is present. Flea 
				markets do not often represent the best expertise in Russian 
				hallmarking, and if this piece was offered as authentic by a 
				professional antique dealer, then there are reasons to mistrust 
				that profession, and maybe also experts from museums
..
 ..but, there is always access to some additional expertise 
				available, - the ASCAS family.
 
 
Willand Ringborg - 2008 - |  |