Flowers have been greatly esteemed since the dawn of civilization. Ancient Egyptians painted them on their temple walls and the withered remains of flowers have been found in ancient tombs around the world.
The colorful and fragile beauty of flowers has given rise to countless culturally symbolic meanings, and folktales about flowers have abounded from the earliest times --although not in the Western World until the end of the Middle Ages. Floral representations have been added to all forms and materials of artistic effort-- paintings, metal ware, furniture, fabric and so on.
Floral names have even graced our daughters. Although less common now, names such as Rose, Daisy, Myrtle, Pansy, and even Honey, were once quite popular.

In Europe, correspondence through flowers began in the 1700’s, when Charles II of Sweden introduced the Persian custom referred to as the "Language of Flowers".
The advent of the Industrial Revolution and the reign of Queen Victoria (of England) combined to spread the idea of sentimentality with floral motifs. Victorian homes were elaborately decorated with florals on the walls, furniture, paintings, utensils, and trinkets. A gift of flowers held much significance; each blossom conveying a message.
An entire conversation could be expressed through the exchange of flowers!

The many legends attached to flowers might be divided into three classes: the mythological, the ecclesiastical/ historical, and the poetical.
The mythological legends often relate to "creation" stories as well as the transformation by the gods of luckless nymphs and youths into flowers and trees, which have since kept their names. Many stories describe the origin of the color of blossoms. For example, white flowers are represented as having originated from fallen tears, and pink or red flowers from blushes or blood.
The ecclesiastic/historical legends are generally due to the reverent imaginings of Catholic monks. While tending their flowers in the quiet and seclusion of monastery gardens, they may have associated a certain flower with a memory of some favorite saint or martyr, and allowed their fancy to weave a fiction to perpetuate the memory of that saint. Many historical legends pertain to favorite sons and daughters of the Church.
The poetical legends include the numerous fairy tales in which flowers and plants play an important part, and which may include elves, trolls and witches. In more recent history (the Victorian era), flowers came to be a language of symbolic content

The following represents a brief summary of just a few of the many tales about the blossoms that came to hold so much meaning during the Victorian period.

Grapes, one of the oldest cultivated fruits, have appeared as a decorative motif throughout time in nearly every culture. In some countries, the grape was believed to have been the forbidden fruit of the Tree of Knowledge in the Garden of Eden.
They have been said to signify fertility, sacrifice, hospitality, and charity. To dream of Grapes foretells to the maiden that her husband will be cheerful and a great songster. If the dreamer is in love, the grapes foretell a speedy union, and denote much happiness in the marriage and success in trade.
According to another authority, to dream that you see clusters of Grapes hanging round about you, predicts future advancement and honor. To the maid it implies marriage with an ambitious man, who will arrive at great station, but die early. 

Grape: 1908-14; P.A. Coon 5 x 3 x 3"	Grape: 1905-08; Jennings Brothers 6 ½ x 3 ½ x 4 ½ "

According to a German tale full of melancholy and romance, a young couple was walking along the banks of the Danube on the eve of being united. They saw a cluster of Forget-Me-Nots floating on the stream which was bearing it away.
The bride-to-be admired the beauty of the flower and lamented its fatal destiny. Her lover plunged into the water to secure the flowers. No sooner had he caught them than he found himself sinking.
Making a last effort, he threw the bouquet onto the bank at the feet of his betrothed and, at that moment of disappearing forever, exclaimed, "Vergiss mein nicht!" (Forget me not!) 

Forget-Me-Not: 1904-08; Brainard & Wilson - 6 x 4 x 4 ½ "	Forget-Me-Not Detail

Lilies of the Valley, also called "Virgin’s Tears", have blossoms that were thought (during the mid-1500’s) to possess a perfume highly medicinal against "nervous affections". The water distilled from them was in such great repute that it was kept only in vessels of gold and silver.
There is also a legend that in the forest of St. Leonard, where the hermit-saint once dwelt, fierce encounters took place between him and a dragon. The holy man finally succeeded in driving the dragon away, and the scenes of their battles were revealed afresh each year, when beds of fragrant Lilies of the Valley appeared wherever the earth had been sprinkled by the blood of the warrior saint. 

Lily of the Valley: 1912; Manufacturer Unknown 3 ½ x 2 ¾ x 2 ¾"	Lily of the Valley: 1906-08; Jennings Brothers 5 ½ x 5 x 3 ½"

Lily of the Valley: 1908-14; P.A. Coon 6 x 3 ½ x 4 ¾"	Lily of the Valley Detail

The Daisy has been called the "poet's darling." Shakespeare and Wordsworth, and many poets in between, have used the Daisy to represent the quality of pure innocence. The ancient English name of this flower was Day's Eye, from which came its present name.
Chaucer called it the "ee of the daie", probably from its habit of closing its petals at night and during rainy weather. There once was a popular superstition that if you failed to put your foot upon the first Daisy of spring, Daisies would grow over you before the year was out.
Another tale was that Spring had not arrived until you could put your foot upon twelve Daisies. Today, we enact the popular tradition. "He loves me, he loves me not". It is considered lucky to dream of Daisies in Spring or Summer. 

Daisy: 1906; Weidlich Brothers 1 7/8 x 1 ½ x 1 ¾"	Daisy: 1906-08; Jennings Brothers 5 ½ x 5 x 3 ½"

The common Clover has a rich symbolic folklore not just about its leaves, but also its blossoms. It was used in festivals of the ancient Greeks. Hope was depicted as a little child standing on tiptoe, holding a Clover blossom in his hand. The Druids also used clover in their ceremonies.
More recently, to dream of seeing a field of Clover indicated health, prosperity, and much happiness.
A fairy tale from Cornwall goes like this:
One evening a maiden set out to milk the cows later than usual, and the stars had begun to shine before she completed her task. An enchanted cow was the last to be milked, and the pail was so full that the milk-maid could hardly lift it to her head. So she gathered some handfuls of grass and Clover, spreading it upon her head, in order to carry the milk-pail more easily.
But, no sooner had the Clover touched her head, then suddenly hundreds of little people appeared surrounding the cow, dipping their tiny hands into the milk and gathering it with Clover flowers.
When the astonished milk-maid reached home, she recounted this wonderful experience to her mistress who at once cried out, "Ah! You put a four-leafed clover on your head"  

Clover: 1913+; Benedict Proctor 3 ½ x 2 x 2 ½ "	Clover and Poppy: 1904-07; Brainard & Wilson 4 x 3 x 2 3/4"

The Violet has always been a favorite among the first flowers of Spring. Its quiet beauty and love of sheltered spots have made it the symbol of true worth that shrinks from the parade.
During the Middle Ages, there existed a curious tradition in Toulouse, France, called the "Floral Games", which filled the poetry of that nation with symbolic images drawn from floral and botanic subjects.
These poetical contests were held annually, and the prizes were awarded early in May. The author of the best poetical composition was presented with a golden violet, and the secondary writers with a silver violet.
A melodramatic ballad involves the fair lady Clemence Isaure, sometimes called the "Queen of Poetry", who some say was instrumental in the revival of these games:
A knight was deeply enamored with Clemence, and she returned his passion. Her father, however, had chosen another husband. Clemence resisted the union saying that her life was at her father's disposal but that, as long as she should live, her heart belonged to the knight. So the father had her chained and held in a strong tower, promising to kill the knight if he could.
The knight learned of his mistress's imprisonment and, like a true lover, went to the tower and repeated his vows and sorrows to Clemence. She presented him with a nosegay of violets, that he might know of her constancy, and warned him of her father's threat.
The knight departed to join the king's court but, on his way, learned that the English were marching against the city. He returned, finding only one old man still resisting the enemy. The knight hurried to his assistance and saw that it was the father of his only love, Clemence. At the moment that a fatal stroke was aimed at the old man, the knight rushed forward and received the mortal wound himself. Dying in the old man's arms, the knight presented the flowers he had received, begging they should be returned to Clemence.
The father relented, and in great sorrow told his daughter of the untimely death of her knight. Clemence, in turn, fell victim to her despair and anguish, and followed her lover to the grave. Since then, the violet has become a symbol of faithfulness and constancy. 

Violet: 1912; Manufacturer Unknown 2 ½ x 2 x 2 3/4 "	Violet: 1911; Weidlich Brothers; 4 ½ x 2 ¾ x 2 ¾"